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The Work of Art and The Art of Work Kiko Denzer on Art |
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[Cob] more on plasters & cob timeBarbara Roemer and Glenn Miller roemiller at infostations.netFri Jul 23 18:36:43 CDT 2004
We just returned from a workshop at the Steens' Canelo Project in AZ. The Japanese master plasterer used 90% straw in some of his finish plasters, and as little as 10% (by volume) in others, depending on the surface he wanted to create. Additionally, in Japan it's typical to let the clay and straw sit together for a year so the elements can "marry." The straw breaks down so thoroughly that it almost disappears, but apparently the fiber is still there strengthening the plaster. We saw "plaster" corners that were 3" thick, both on straw bales and on cob bricks. Finish plaster was done atop those already thickened edges, sometimes another inch or so thick. My own experience echoes Shannon's. The mixes I've used for 1/2" plaster, for 2" plaster, for 2-12" thick cob, and for floors are all very similar. Cob has always seemed painfully slow to me, but friends here are speeding up the process with tractor and tiller cob and also using form boards so they can do much bigger lifts at a time. Mechanical mixing means a drier mix, which also can be stacked higher before spluging. Two people can put up a cob wall of 20' in two days. It's moving closer to rammed earth but does not contain concrete. Barbara
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